Ingrid Durham

Seferis « Seferis » is an uppercase typeface with a wide repertoire of ligatures, stylistic alternatives, and some swashes. It also has an important language coverage based on Latin. Although the « Seferis » family is mainly influenced by the classical imprint of the incised typefaces, its structure, proportions and aesthetic proposal show modern features, which give it elegance, sophistication, inner strength and an epic character. Designed by Edwin Moreira, with the invaluable support of Ale Paul in the expansion and production of the family. Seferis works perfectly in spaces as diverse as posters, logos, magazine headlines, album and book covers, packaging and many other environments where it can highlight its qualities. Available in 5 weights and a variable file that is included with the full package. Seferis Download Now View Gallery

Download Now Server 1 Download Now Server 3 Download Now Server 2 Sister Pamella font duo is a pair of script and sans serif fonts, which perfectly complement one another. With a handwritten script font and a modern sans serif  Sister Pamella font duo  will be perfect for use in all your design projects be it logos, signatures, labels, packaging design, blog headlines. Also, it will look great on mugs, cards, gorgeous typographic designs, wedding stationery and much more. Sister Pamella script  includes a full set of uppercase 2 sets of lowercase letters, numerals, a large range of punctuation and 38 ligatures, giving a realistic hand-lettered style. Sister Pamella sans serif  containing uppercase only characters, numerals and a large range of punctuation. Creates a perfect contrast with the Sister Pamella script font. Multilingual Support for 27 languages: Afrika

Download Now Server 1 Download Now Server 2 Download Now Server 3 Rufolo is a family of fonts that can be considered both aesthetic and utilitarian. It has an apparent serif, barely hinted at, whose clear past reference is a beautiful epigraphic script on the marble plate placed at the southern entrance of the Roman amphitheatre, in Pompeii. Perhaps its origin dates back to Ugarit's cuneiform writing (as Morrison suggests as the origin of the serif in "Politics and Scripts") whose characteristic triangular-shaped incision footprint produces a powerful trait that not only gives character to the writing but also facilitates its support and visual compensation of sizes with neighboring signs. Other clear inspirational references have been Robert Hunter Middleton's Stellar (1929); Albertus (1932) by William A. Dwiggins; Optima (1952) by Hermann Zapf; And more recently RRollie (2016) by our foundry. Rufolo collects the attractive characteristic of the stroke endings but